Recently I was commissioned to paint a landscape in my Local Colour series. Landscapes have long been a series of mine, first in watercolour and now I do more acrylic landscapes. This one is called Summer Breezes and I do hope the reason is obvious. It is in what we call landscape format, a long thin one, designed to fit in a specific area of the clients beautiful rural home. It gently reminds the viewer of the hills and trees seen from their windows. I thoroughly enjoyed the challenge, appreciating the input the client gave me during the process. They were happy to receive their piece and had the hammer and hanging hooks at ready! So If you see something you like here on my website but want to commission me to do another in a different size or format to fit a specific wall, get in touch! i would be more than happy to talk to you about it! It’s as easy as that!
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Riverstones

February 15, 2018
by Karen Phillips Curran
Water is my most prevalent muse. I must admit even puddles entrance me…  Like my life, it flows, rages, trickles, stagnates, surrounds any obstacle then continues on its journey.  “Stones and Lilies” is a 22x 30 watercolour on paper mounted on 1.5″ deep cradleboard, ready to hang in your home. $975 plus shipping. The accumulation of water-washed stones tells us of time and the irrefutable strength and magnetic power of stones. These basic elements struggle to live in harmony, soothing, rubbing and, to us, timeless. They share a dimension. They seem immortal, yet, each stone’s individuality can be examined. Who has not felt compelled to pick up and examine a washed stone? They all call out, they speak to us. The water laughs, menaces, pleads, caresses and more. It can entice us to fall under its hypnotic spell. We fall into it. We are lulled. We can dream our dreams See more of Karen’s work soon at The Riverstones Studio in Springtown, Ontario. http://www.phillipscurran.ca/ Images of the Madawaska  
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I am most inspired by light. My subject matter may change and shift, but light remains the constant. Sometimes it’s the light through the trees, or on a path, in a puddle. Other times it is the dappled light on a wall, a gate, a shutter, or a door. The contrast of a blackbird in a snow-covered field holds the same attraction. Light and contrast are visual candy. It is sweet, occasionally bittersweet. I choose a medium to suit the flavour and the intensity that I want to impart. Sometimes I use my tried-and-true watercolour, but my facility with acrylic, pastel, collage, alternative photography, or a mix of any of these, can satisfy the muse. Part of the journey is to tactilely manage the medium, with the message. I always ask myself which is the best voice to use for this . . . Unlike many other professional artists, I tend to move around my media, asking them to play with me, to capture even more of the essence required, to create the message.
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The art of life I’ve learned that life is lived in stages, sometimes one slips into the next unnoticed, other times the changes are abrupt. One’s circumstance can dictate your progress. One’s will helps define your limitations. Some blame their life events upon circumstance, but it has been shown to me over the 6 decades of my life, that our will can clearly overcome circumstance. Some folks appear to have been handed life on a silver platter. Those platters are, in some ways, deceitful. If you could walk a mile in their shoes one would discover the cost of those apparent gifts. The one thing I’ve been all my life, (apart from female), is an artist. As such, over the years, many hundreds of well-meaning folks have told me how lucky I am to have talent. Yet, talent alone is not nearly enough to succeed as an artist. Determination and a will to pursue art making are mandatory to be able to call oneself an artist. You cannot chase something while standing still. You cannot be an artist without an artistic practice. So that is why I say, Life is an art and art is my life.  
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I’m painting again. It’s been some time now. For one reason or another I’ve not been in touch with my watercolour brushes. Making art is like that, sometimes your life experience, its ebbs and flows are what needs attention, they are in fact, my muse. I’ve learned to go with the flow on these days, recognize their significance and store them for fodder when the brushes are in your hand. But enough of me – Our disappearing iconic rural architecture that’s what these new full sheet watercolours (22”x30”) works are. So – why rural architecture? I live in the country, have for most of my life. Cities are cool, I like cities, but I prefer to live in the country. I see these structures as a bit nostalgic, a bit grande, a bit spooky sometimes and a big part of our history as Canadians, and… a big part of the visual landscape of my life. I don’t profess to know much about agriculture, but I know what I like in a tiny out of the way church, the meeting halls, barns of all sorts, century homes long abandoned, one room schoolhouses and oh my, backs of sheds, barnyards…enough for a […]
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morning

April 1, 2015
by Karen Phillips Curran
The kiskadee sounds his morning wake-up call and the sun’s eastern rays begin their journey towards me. My window here faces north so the morning light traverses across the rooflines just outside the window. They highlight the neighbour’s stepped roof. Each morning, the light is slightly different and I awaken, eager to see the difference. The last time I was here I did this small series of roofline paintings…          
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                                                                                                         Wherever I am I paint, draw and see….I am setting a new studio space in a place far from home. Love drives me there, is my motivation, that, and a thirst for new experiences, new visions, new warmth, new trust, new work….
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