Black Water

June 20, 2019
by Karen Phillips Curran
For many years I have been painting images of water. It began at a stressful juncture of my life and I have used the images as a continuing challenge for creativity as well as mindfullness. Creating rythmic imagery has a calming effect on me, the artist. I can tell from feedback about the works, that they create that same calm feeling when looked upon. I am grateful for that. These three acrylics are called ‘Black Water’. They are for sale on Artbomb …or from me here 560$ plus shipping and taxes  
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                A hay wagon rattles past me, again. Its dust settles on us here, country roads in the summer…that smell, the dust, the sounds… I spend a fair amount of time on country roads, I have to in order to get anywhere from here. the sights I pass are iconic in a purely Canadian way. They reflect my environment. Here I’ve created some interesting pairs. They are acrylic painted on canvas that is attached to wooden ovals. They are ready to hang.                     Some of these are favourite fields, all are places that made an impression on me each time I saw them. They are familiar to me.                 These are all summer images, they feel hot, sultry and dreamlike. Let me know if you want them for your wall…$350 to 450 for the pairs…shipping would be extra.  
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Recently I was commissioned to paint a landscape in my Local Colour series. Landscapes have long been a series of mine, first in watercolour and now I do more acrylic landscapes. This one is called Summer Breezes and I do hope the reason is obvious. It is in what we call landscape format, a long thin one, designed to fit in a specific area of the clients beautiful rural home. It gently reminds the viewer of the hills and trees seen from their windows. I thoroughly enjoyed the challenge, appreciating the input the client gave me during the process. They were happy to receive their piece and had the hammer and hanging hooks at ready! So If you see something you like here on my website but want to commission me to do another in a different size or format to fit a specific wall, get in touch! i would be more than happy to talk to you about it! It’s as easy as that!
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Riverstones

February 15, 2018
by Karen Phillips Curran
Water is my most prevalent muse. I must admit even puddles entrance me…  Like my life, it flows, rages, trickles, stagnates, surrounds any obstacle then continues on its journey.  “Stones and Lilies” is a 22x 30 watercolour on paper mounted on 1.5″ deep cradleboard, ready to hang in your home. $975 plus shipping. The accumulation of water-washed stones tells us of time and the irrefutable strength and magnetic power of stones. These basic elements struggle to live in harmony, soothing, rubbing and, to us, timeless. They share a dimension. They seem immortal, yet, each stone’s individuality can be examined. Who has not felt compelled to pick up and examine a washed stone? They all call out, they speak to us. The water laughs, menaces, pleads, caresses and more. It can entice us to fall under its hypnotic spell. We fall into it. We are lulled. We can dream our dreams See more of Karen’s work soon at The Riverstones Studio in Springtown, Ontario. http://www.phillipscurran.ca/ Images of the Madawaska  
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I am most inspired by light. My subject matter may change and shift, but light remains the constant. Sometimes it’s the light through the trees, or on a path, in a puddle. Other times it is the dappled light on a wall, a gate, a shutter, or a door. The contrast of a blackbird in a snow-covered field holds the same attraction. Light and contrast are visual candy. It is sweet, occasionally bittersweet. I choose a medium to suit the flavour and the intensity that I want to impart. Sometimes I use my tried-and-true watercolour, but my facility with acrylic, pastel, collage, alternative photography, or a mix of any of these, can satisfy the muse. Part of the journey is to tactilely manage the medium, with the message. I always ask myself which is the best voice to use for this . . . Unlike many other professional artists, I tend to move around my media, asking them to play with me, to capture even more of the essence required, to create the message.
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The art of life I’ve learned that life is lived in stages, sometimes one slips into the next unnoticed, other times the changes are abrupt. One’s circumstance can dictate your progress. One’s will helps define your limitations. Some blame their life events upon circumstance, but it has been shown to me over the 6 decades of my life, that our will can clearly overcome circumstance. Some folks appear to have been handed life on a silver platter. Those platters are, in some ways, deceitful. If you could walk a mile in their shoes one would discover the cost of those apparent gifts. The one thing I’ve been all my life, (apart from female), is an artist. As such, over the years, many hundreds of well-meaning folks have told me how lucky I am to have talent. Yet, talent alone is not nearly enough to succeed as an artist. Determination and a will to pursue art making are mandatory to be able to call oneself an artist. You cannot chase something while standing still. You cannot be an artist without an artistic practice. So that is why I say, Life is an art and art is my life.  
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                                                                                                         Wherever I am I paint, draw and see….I am setting a new studio space in a place far from home. Love drives me there, is my motivation, that, and a thirst for new experiences, new visions, new warmth, new trust, new work….
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snowshoes

March 9, 2013
by Karen Phillips Curran
  snowshoes I like snowshoes, because given enough snow, you can go anywhere in the woods. My woods are quiet this time of year, no birds, no bugs, no beasts. All are at rest, or have left the vicinity, only to return shortly. Yes, spring is on its way. I cannot smell it yet out here, but I can feel its approach. The sun says its on its way. The light is stronger, richer, and a bit warmer. I follow the deer tracks in circles. Their pathways are well marked in the cedars behind my cabin. Dappled light in every direction draws my attention. Ice blue shadows surround me. Warm yellow light kisses the bark near me. I cannot look up without a tear coming to my eye. I am out here to feel it feel winter without spring. So I can paint it later in the studio. I fill up my senses with it, breathe it while I am in it so I can bring it back later with a paint brush in my hand, and a will to re-create that feeling.
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