I'm moving my Ontario studio to far shores and offer you an opportunity to lighen the load, take home a window of the world for your wall... life is an art Read More
Its autumn now and the colours here in Ontario are at their best right now, today this afternoon! The people who are supposed to stay home are following each other down the road. I wonder at it all. Fall has been the subject of not a few of my pieces, its fun to play with the vibrant tones of this season. If you have never seen fall in Eastern Canada, you should treat yourself! I love to watch as I wander the backroads to here and there, (the dump, the grocery). Its all a sight for sore eyes’ as they say, and only lasts a while. Some autumns are shorter than pthers, some drag on for weeks gradually lifting the veil of green to yellow, orange read rust and then grey… is it the transitory nature of the days in fall that make it as attractive as spring? What is your opinion on that. The sun is lower in the sky here in my part of the world. At about 45 degrees north our daylight hours grow smaller each day, culminating in December where once again the light begins to return. We all breathe a sigh of relief and wait […] Read More
Years ago I regularly traveled to Bermuda. I accidently found a niche there with my artowrk. Sudie Curtice and Amanda Outerbridge at Windjammer Gallery, happily sold my watercolours there for 17 years. Sadly, my patron and gallery owner, Sudie, passed away and after a while the gallery closed. I think of those days often, here in the dead of an Ontario winter. yes the sun has crossed the equinox and we now have 9 hours and 53 minutes of daylight. Read More
Every artist experiences change. It is that which can either compel creativity, or thwart it. I am in the midst of an artistic change right now. After 17 seasons as the head scenic artist for Canada’s National Arts Centre, I am moving on. I have called it ‘retiring’, mostly to signify it’s job like status. I was, have been, contracted each season since the 1999-2000 season, to paint all the English Theatre productions as well as various Theatre Francais sets, the Governor General Awards sets, as well as other special projects around the building. It has been a rewarding experience. I was renumerated for the work I did on an hourly basis. The workshop is a large well equipped studio to work in, it has its faults, but we worked within those boundaries. It has a typical 70-s building issue, poor ventilation, and so I have been spared many of the toxic chemicals I may have been seconded to use. I learned to paint with what I call the ‘30 foot eye’, seeing the images from that distance, when you are actually only 5 feet away. (I am 5’4” and that is as far away as I can be holding […] Read More
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