Some of us are deep into our isolation.  We are about to break free from the chrysalis of our time alone. Our world begins to open up after quarentine. My life has had self isolation as a theme for many years. I moved into a boarding house while I was in high school. I kept a lot to myself. I got through art school by scrimping and saving. I have lived  in the country  since 1979, most of my adult life. I do well being alone, expecially now. I have had great mentors for it and have taken my cues from them and how they coped. It is my creativity that saves me. We all may have internal dialogue and I have always revelled in what i call ‘head painting’. I carefully imagine a scene, or use the one in front of me. I begin to imagine painting it, lay down the initial colours. I then define the colours, add strength and character, light and dark…its an internal activity that then gets acted out when the canvas/paper and paint are within reach. Here is one of my stones watercolours.  I have spent many hours watching water… What we do in […]
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Black Water

June 20, 2019
by Karen Phillips Curran
For many years I have been painting images of water. It began at a stressful juncture of my life and I have used the images as a continuing challenge for creativity as well as mindfullness. Creating rythmic imagery has a calming effect on me, the artist. I can tell from feedback about the works, that they create that same calm feeling when looked upon. I am grateful for that. These three acrylics are called ‘Black Water’. They are for sale on Artbomb …or from me here 560$ plus shipping and taxes  
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                A hay wagon rattles past me, again. Its dust settles on us here, country roads in the summer…that smell, the dust, the sounds… I spend a fair amount of time on country roads, I have to in order to get anywhere from here. the sights I pass are iconic in a purely Canadian way. They reflect my environment. Here I’ve created some interesting pairs. They are acrylic painted on canvas that is attached to wooden ovals. They are ready to hang.                     Some of these are favourite fields, all are places that made an impression on me each time I saw them. They are familiar to me.                 These are all summer images, they feel hot, sultry and dreamlike. Let me know if you want them for your wall…$350 to 450 for the pairs…shipping would be extra.  
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I awaken. I’m in the country. The sound of fog is in the air. I know it before I open my eyes, it is a quiet like no other. An early morning fisherman appears then disappears. His orange vest glows eerily until he is gone. Silently, I wish him luck. Later the sun starts to break through the mists, and green is everywhere, the shoreline, the rising stand of cedar and spruce, the water’s reflections, and if I use my artistic insight I can get the foggy air to feel green too. Here are two new pieces I’ve been working on lately. They are acrylic and graphite on canvas and board. the larger one is 43″ x 5.5″ and the smaller one is 33″ x 5.5.
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Recently I was commissioned to paint a landscape in my Local Colour series. Landscapes have long been a series of mine, first in watercolour and now I do more acrylic landscapes. This one is called Summer Breezes and I do hope the reason is obvious. It is in what we call landscape format, a long thin one, designed to fit in a specific area of the clients beautiful rural home. It gently reminds the viewer of the hills and trees seen from their windows. I thoroughly enjoyed the challenge, appreciating the input the client gave me during the process. They were happy to receive their piece and had the hammer and hanging hooks at ready! So If you see something you like here on my website but want to commission me to do another in a different size or format to fit a specific wall, get in touch! i would be more than happy to talk to you about it! It’s as easy as that!
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Those words appeared in my morning digest of information. They stopped in in my tracks. I’m just waking up, and they just woke me up. They woke me up to my mission, my like as an artist. Currently, I am working on a largish (64×20) landscape commission ( yes! I do commissions!). I have a series I call ‘Local Colour’, landscapes from the region I live in, the upper Ottawa Valley. 99% of them are impressions, only once in a while are they of a specific place. There is much about this part of Ontario I love, the rolling hills, trees galore, mixed woods, rivers lakes and rocks and sky. The fall colours are astonishing, spring and summer too. I adore the gently sloping shadow studded vistas of winter. The client hasn’t seen the painting yet so i can’t show you, but i can show you from whence it came…
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It is a wintry day here in Springtown and nowhere near that time when thoughts of spring appear, unbidden. I have several of my paintings here in the house that can remind me of the promise of spring. The bright blue light of a mid-winter day outside is blinding in contrast to the warm enfolding colours of spring. My patience wanes as the weather intimidates us with its burden of, yet again, more fresh fallen snow and ice. Winter will run its course like it always does. This year my partner’s newly built studio is a short walk through the woods. It means will be in touch with winter walks on a daily basis, back and forth through the woods like little red riding hood, except my coat is a plum colour. So I remind myself to be patient, that spring will appear one day. The maple bush will come alive with activity. Snow will be tramped down to mud and old maples will lovingly be bled of sap. The smell of wood smoke and the distant call of returning geese will once again reign. A new cycle of growth and rejuvenation will begin. I can’t wait.
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I am most inspired by light. My subject matter may change and shift, but light remains the constant. Sometimes it’s the light through the trees, or on a path, in a puddle. Other times it is the dappled light on a wall, a gate, a shutter, or a door. The contrast of a blackbird in a snow-covered field holds the same attraction. Light and contrast are visual candy. It is sweet, occasionally bittersweet. I choose a medium to suit the flavour and the intensity that I want to impart. Sometimes I use my tried-and-true watercolour, but my facility with acrylic, pastel, collage, alternative photography, or a mix of any of these, can satisfy the muse. Part of the journey is to tactilely manage the medium, with the message. I always ask myself which is the best voice to use for this . . . Unlike many other professional artists, I tend to move around my media, asking them to play with me, to capture even more of the essence required, to create the message.
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